Monthly News
Artists/Bands
Festivals/Venues
Supplies
Instruments
Books
CDs/Recording
Message Board
Media/Radio
Lyrics
Organizations
Services
Usenet
Newsgroups
Binaries
e-bluegrass

Bluegrass World
The first acoustic dissection of the banjo 66

The first acoustic dissection of the banjo 67
Hi, Ulf... Hmmm. Not to sound like a know-it-all, but I figured out all that...

I don't want to throw water on your parade - but that information is awfully basic. In just my own narrow experience I've found that increasing the tightness of the banjo neck to the body with heavy hardware on the dowel stick (at both ends of the head) will increase volume and fullness of tone on any banjo (any banjo with a dowel stick that is. Higher bridges also give higher volume and angling the neck back to keep the action reasonable allows for a higher bridge. A tailpiece that puts considerable downward pressure on the strings will tighten up the tone of the instrument and again increase volume. These are just the things that are true of any banjo - from there there are things that are more variable in their effect. On some banjos a damper (like a rag) placed on the inside directly under the strings about 1-3rd of the distance between the bridge and the rim will produce a "ping" on high notes that seems to carry for about a mile - nice for jamming - bad for miking.

-- home of The Camera-ist's Manifesto The Improved Links Pages are at A sample chapter from my novel "Haight-Ashbury" is at on their of so string further louder UK. fiddle, out. banjo for I



List | Previous | Next
The first acoustic dissection of the banjo 67 | The first acoustic dissection of the banjo 65

Search Bluegrass World
   
Search WWW
Search Bluegrass World
Links
All Material on theBluegrass World® Web site is Copyright Protected. No part of the Bluegrass World ® Web site may be copied, reproduced or reused without express written permission. Bluegrass World ®is Copyright © 1999, © 2000 by Neal Backues. World rights reserved.Bluegrass World® is a Registered Trademark